Last week I traveled to Córdoba, Argentina’s second-largest city, for a fantastic conference about memory at the Universidad Nacional de Córdoba‘s Centro de Estudios Avanzados. Córdoba’s a fun place to be; a center of learning and commerce when Buenos Aires was still a colonial backwater, it’s home to some of the country’s best-preserved seventeenth- and eighteenth-century architecture, and its five major universities give the city a vibrancy to rival the capital. Even better, it’s situated just a few kilometers from the Central Sierras, a beautiful mountain range somewhere between the Appalachians and the Rockies in height and terrain. After five days in the city, I went south, first to Villa General Belgrano, a little slice of Germany that’s home to six microbreweries and some of the best strudel this side of the Atlantic, and then to La Cumbrecita, a tiny, car-free, Alpine-style town situated alongside one the highest ridges in the Sierras.
I’ll post more about these places soon, but for the moment I’d like to share the results of some early experimentation with tilt-shift photography, taken from the hills of central Córdoba. Tilt-shift (or, to be more accurate, its digital post-processing simulacrum) is one of the coolest things my camera can do; and the height differentials that come with trekking through the mountains practically begged me to give it a try. Below are three image pairs: a standard shot followed by a tilt-shift simulation. The result is an over-saturation of color and something approaching a miniaturization of the subject.
Here’s a bit of Villa General Belgrano from an adjacent mountain: