[Images courtesy of aliciaherrero.com.ar]
The end of 2012 was oh-so-hectic down here, but it’s a new year now, and to make good in a small way on the whole seasonal rebirth/renewal theme, I’m posting an update. It’s a long-overdue introduction to my indefatigable roommate/dueña/friend, visual artist Alicia Herrero.
One of my luckiest breaks in Buenos Aires was finding my way into Alicia’s beautifully restored turn-of-the-century PH. She’s not only a wonderful person to live with and a constant source of insight and intellectual challenge; she also makes great art. Her most reject project, Museo de la economía política del arte (Museum of the Political Economy of Art), just ended a solo showing at Buenos Aires’ prestigious 11 x 7 Gallery. It’s wonderful.
The show uses images, video, and three-dimensional pieces to critically examine contemporary art market practices and their influence on artistic production and on the capitalist system at large. At its heart stands the Action-Instruments Box, a “toolkit” that enables anyone with a computer to develop alternative metrics for the success of art. Model graphs show works reshaped along two axes, one measuring the piece’s price per square centimeter at auction, the other the overall average for the lot in which it sold. A neatly designed catalog incorporates dozens of these lushly colored analyses; the huge mutli-fold pages reproducing elongated Rothkos and Warhols force a visual confrontation with the far-from-aesthetic forces bubbling just beneath the surface at Christie’s and Sotheby’s. I love this box, and I’m not alone. MALBA, BA’s leading museum, acquired one for immediate display.
[In the Banco Nación]
Alicia has done lots of other stuff, too, including a bold series of performances/ interventions in spaces like the Banco Nación and the Argentine Capitol planned under the aegis of the University of Buenos Aires’ Laboratorio de Investigación en Prácticas Artísticas Contemporáneas, which she leads. It’s all on her website, in Spanish and in English. Right now I’m helping Alicia update the English side, and the more time I spend there, the more enganchado I get. Check it out if you’ve got some time.
Welcome to 2013 — ¡E.M.A.N.C.I.P.A.C.I.O.N. ya!
[In the Capitol]
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